Authentic Camargue shirt in the pure Gardian tradition established by the Marquis Baroncelli, founder of the Nacioun gardiano in 1904. With its straight cut, patch pockets, it is comfortable, especially for riding a horse. Its very breathable cotton veil ensures lightness and fluidity. Its Gipsy motif comes from archive drawings deposited on a historical base of Provençal “les indiennes” prints. The shirt fits normally, choose your usual size, for women take one size smaller than your usual size.
100% French-made cotton voile • Printed patterns • Straight cut • Soft collar • European made • Washable at 30° • Tumble dry at 60° • No bleach • Ironing at 150° max • Dry cleaning permitted
With its straight cut, it is comfortable, especially for riding horses. Its very breathable cotton veil ensures lightness and fluidity.
Its slightly irregular Gipsy Polka Dot pattern, with Andalusian influence, comes from deposited archive drawings. The shirt fits normally, choose your usual size. For women, take one size smaller than your usual size.
History of Indians :
“Indiennes” are painted or printed fabrics made in Europe between the 17th century and the 19th century. The name “Indienne” comes from the Indian counters from which they were initially imported. ...+
In India, textile printing is a craft with age-old know-how that is passed down from generation to generation. The first “Indian” prints were imported to Europe by the Portuguese in the 16th century. The intensification of commercial relations between the East and the West during the 17th century ensured the triumph of these light fabrics, very resistant to light and washing, with lively and varied decorations. The Indian manufacturing secret is based on the principle of “mordant”, metallic salt printed on the wooden board, which fixes the coloring material on the cotton fiber when the fabric is immersed in a dye bath.
Indian manufacturing workshops opened in England, Holland and Switzerland.
In a society accustomed to heavy silk and wool fabrics or plain linen fabrics, the success was dazzling. The East India Companies have no difficulty in handling increasingly considerable freight. To face this competition, Louis XIV and Louvois wanted to protect French textile factories. In October 1686, a decree from the King's Council of State prohibited “cotton canvases painted in India or counterfeited in the kingdom”. However, the more the ban measures intensify, the more the monarchical power fails to curb this real fashion phenomenon which affects all social classes. A very strong contraband born from this prohibition of which Aix en Provence will be the capital. Despite everything, Indian manufacturing workshops are being created in the region, in Marseille, Le Havre, Rouen or Angers, but can only sell abroad. In Comtat Venaissin (part of present-day Vaucluse), then under the authority of the Pope and thus escaping sovereign laws, manufacturers continued to prosper. This was the rebirth of “indian” fabrics known today as Provençal fabrics.
This context was also favorable to Indian factories in Mulhouse, a small independent republic (attached to France in 1798), which acquired a technical and commercial lead until the lifting of prohibition in October 1759, which marked the beginning of the era industrial. The Jouy-en-Josas factory, created by Christophe-Philippe Oberkampf in 1760, became famous for the monochrome motif (“toile de Jouy”) generally representing characters in a rural setting.
History of gardian fashion:
The gardian (word of Provençal origin) is the guardian of a Camargue manade, namely a herd of bulls or horses raised in semi-freedom and belonging to a manadier (breeder). ...+
In the rural world of 19th century France, the herdsman was none other than a herdsman on horseback and dressed like the peasants of the time. Before the First World War there was no specific costume for the guardian. It was Marquis Folco de Baroncelli-Javon (known as Lou Marquès), founder of the Nacioun gardiano in 1904, who codified the current gardian outfit at the request of Frédéric Mistral. In order to give more unity and appearance to the choupo (group of herdsmen in Provencal language) during herdsmen festivals he imposed the velvet jacket, the mole skin pants (moleskin), the brightly colored shirt with Indian motifs and the valergues hat.
